العدد التاسع

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This study monitors a new phenomenon in linguistic expression in the context of contemporary Arabic language, which has been associated with the emergence of institutions in the modern civil state, where these institutions are established for electronic bodies, systems, programs or applications. Intended to serve members of the community, these programs are defined by official names, usually long, to be abbreviated in the selection of the expressive "word", and thus acquire synoun connotations and new deliberative values, which are in the context of motivation, induction, achievement or exchange of trust.

The public Authority for Investment Promotion and Export Development of Oman, known as "Ithraa", The Public Establishment for Industrial Estates of Oman, is known as "Madayn", The National Program for Bracing the Economic Diversity in Oman, known as" TANFEEDH", the automated traffic control system in Saudi Arabia, known as "Saher", and the electronic traffic tariff system in Dubai, UAE, known as "Salik". And so on.

Hence, the study sought to achieve its objectives by employing the appropriate approach to monitor the linguistic phenomenon, through a time-specific and spatial code, which is so diverse that it indicates that this linguistic behavior is not individual but a collective behavior that is a phenomenon worthy of monitoring and attention

Keywords: Motivational Names, Motivational Abbreviations, Contemporary Arabic,ElectronicApplications, Gulf Journalism, Official Discourse

The research is concerned with studying the multilingualism in the poetic text, based on the fact that language in any literary genre is the primary tool in creating the aesthetics and uniqueness of texts, relying on the propositions of the Russian critic Mikhail Bakhtin related to the dialogue theory based on language mainly, and Bakhtin is considered one of the Western critics who focused on the literary language In general, and in the narrative language in particular. The research borrows a set of mechanisms that it applied to the novel to apply it to poetry. To study multilingualism through a set of methods and forms represented in crossbreeding in its two forms (intentional and unintentional), stylistics, parody and interstitial races.

This study sheds light on the various linguistic styles in Said Saqlawi's poetic texts. In order to decipher its texture and stand on its intertwining structures, and to emphasize that polyphony is not limited to the novel, rather some poetic texts may break the rule that says monophonic in poetry, as happened with some of the poet’s texts

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Tarjumān al-ashwāq by Mohiuddin bin al-'Arabi is one of the most important books of ancient Sufi poetry, and a poetic addition to the Andalusian literature. However, it is like a virgin land whose treasures have not yet been discovered. The current study examines Flirtation and its Sufi Dimensions as an Introduction to Understanding Tarjumān al-ashwāq of Mohiuddin bin al-’Arabi. The poetic text of this book represents the maximum degree of "language deviation”. The study found that the intersections between the language of the poet and the language of the Sufi are within the same imaginary dimension, but they have a different style. The aesthetics of the poet were evident in his poetic text, but there is no presence of the Sufi in the poetic text as it is very close to the vague world of Sufism which is as vague as the world of poetry

Keywords: Tarjumān al-ashwāq, ibn ‘Arabi, Flirtation, Sufism, deviation

In the Arab world, the critics have become more interested in the cultural criticism particularly when Abdulaah Al Ghathami published his book, titled as “The Cultural Criticism: a Reading in Arabic Cultural Formates” in 2000. This book has dealt deeply and originally with the idea of implicit layout. Thus, he has rooted it and discovered its layouts in the cultural discourse supporting all of that by different examples from Arabic poetry.

Alghathami has elaborated in details the concept of implicit system since the Arabic culture has many implicit systems hidden behind discourses’ beauties. These implicit systems hides the opposite of what they shows. Therefore, while we analyze the discourse we should try to discover and search for these implicit systems and understand deeply their language tricks.

This study has become to find out these implicit systems, which were previously discussed by Alghathami (2000), in the Omani traditional proverbs as they are known to be one of important texts which can convey implicit systems. Moreover, this study discovers the importance of the proverbs in Arabic heritage, its artistic features and constructive composition. Then, the study illustrates the relationship between theses proverbs and the implicit systems.

The researcher’s main part of this study is to discover the cultural formations in Omani traditional proverbs; he divided his research into two parts. The first one is about the formations that are related to women and the relation with others: individual/society and its marginalization and dominance. The second part is about the formations, which are related to the society and how they reflect the hidden photos (features) in collective discourse. In fact, as this study has discussed these implicit formations in the Omani proverbs, it concludes with som results and recommendations.

In this study, the researcher will rely on the discourse analysis approach in analyzing and interpreting the proverbs that are mentioned the study.

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This paper explores the influence and impact which is clearly visible in the critical discourse in Al Omda Book which was authored by Ibn Rashiq. The principal question that poses itself here is whether the views expressed by Ibn Rashiq were self-motivated in their entirety? Or were they influence by his mentors of Al Kairouan Literary School whom he derived from their writings a handful of his critical and literary opinions that constitute the backbone of his critical theory which is characterized by rich rhetoric under the banner of literary criticism that charmingly characterizes the poetic aspect of the literary text. Such opinions had well defined his independent intellectual and critical persona and demonstrated his uniqueness.

The paper presents the views that clearly show how Ibn Rashiq was influenced by his eminent mentors including Abdul Karim Al Nahshali (450H), Al Qazzaz Al Qirawani (412H) and Abu Isaac Ibrahim Al Husari (413H)

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This research focuses on the position of Ibn Hisham al-Lakhmi (T 577 AH) from invoking the Holy Quran, based on his book (Introduction to the evaluation of the tongue and teaching the statement). This is in order to uncover the importance of the Qur'anic witness as a criterion for
eloquence in his book. The study also aims to identify the characteristics of Arabic dialects in Andalusia in the sixth century AH, trying to explain the linguistic phenomena in the light of modern linguistic research ... In addition to studying the Koranic readings addressed by Ibn Hisham al-Lakhami, some of which adopted a standard of eloquence

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This study aims at stylistic comparison between authentic hadiths placed in the types of dialogue and its presentation methods. The study revealed that there are three types: the simple bilateral, continuous, and multiparty. There are various ways to present the dialogue in the true Hadiths like talking to the third person, to the second person, the passive voice, to the plural, using the body language and quoting from the story teller. On other hand, the false Hadiths imitated everything except the ways of dialogue presentations. They only used the third person, second person and quoting the story teller

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This study attempts to highlight glimpses of the profile of a literary and linguistic genius, Dr. Al- Wardi, a distinguished sociologist whose encyclopedic knowledge regarding his field of specialty (sociology) enabled him to relate to various human sciences and emphasize his point of view in various fields.
His book "Ustoorat al-'Adab ar-Rafie" was chosen as case study for this research, as it deals literary and linguistic issues. We have tried to study these issues, to extract them from their written texts using the Wardi s beautiful literary style that blends with the language of everyday life. Then to deliberate on such issues and accept them or not. The relevant material has been divided into two sections: the first section deals with the issues of literature and the second section deals with issues of language.
It must be admitted that the limited nature of this research cannot completely cover the intellectual edifice of this wonderful scholar and his creative contribution while his image continues to imitate generations throughout ages

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