العدد السادس عشر

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Abstract:
The literary text - in general - moves within the orbit of a relationship that depends on cohesion, both sides of which are formed by the individual reality (the creator's life/experiences) and the collective reality (the context of the stage/time and place and the authority it represents, which imposes itself to varying degrees on the consciousness of the creative sender)... There is no doubt that the two together, which spin the fabric of this reality, play an influential role in the formal pattern that the artistic work ultimately looks like. Within the framework of the binary (seeing/experiencing, telling), the study moves in its applied treatment of one of Bahaa Taher's narrative

Keywords: Art, reality, significance, narrative, symbolism

Bushra Khalfan’s novel Dilshad presents numerous narrative events that reflect cultural patterns in Omani society in general and the communities of Muscat and Muttrah in particular. The events of the novel took place in these two cities during the period spanning from before World War I to after World War II. These cultural patterns were diverse due to the coexistence of various nationalities, religions and cultures within a shared space.
The significance of this study lies in its focus on the ideological pattern of nationalism in Dilshad. It seeks to explore national diversity and its impact on other cultural patterns, whether explicit or implicit, and to uncover the references which gave rise to these patterns.
The present study did not aim to examine all the cultural patterns which were prominantely featured in Dilshad, nor did it aim to address the entirety of the ideological pattern. Given the scope of this research, the researchers limited their analysis to nationalistic ideology and exclude other ideological patterns in order to provide an in-depth scientific exploration. To that effect, the study employed cultural criticism and draws upon reception and interpretation theories. In terms of structure, the study consists of an introduction and five key sections which

Keywords: : Cultural patterns, Dilshad, nationalistic ideology

This study aims to explore one of the techniques used in narrative storytelling: the narrative opening technique. This technique has evolved with the development of the novel; it is no longer merely about capturing the reader's attention but has become what one critic describes as the "key to the grand house," through which the reader can enter the world of the novel and transcend the gateway from the real world to the imaginary world with all its components: events, characters, setting, and time.
In this study, the researcher examined the narrative opening technique in four Arabic novels: "Sayyid Marra Min Huna" by Muhammad bin Saif Al-Rahbi, "Naranja" by Jokha Alharthi, "Al-Mukhawziq" by Ashraf Faqih, and "Al-Shira' Al-Muqaddas" by Abdulaziz Al-Mahmoud. The researcher aimed to analyze the scope of the narrative opening in each of these novels and answer the main question of the study: How did the novelist use the narrative opening technique to serve the overall idea of the novel?
The researcher employed a descriptive-analytical approach, utilizing tools provided by modern narrative studies such as semiotics to uncover the novels' themes, decode their symbols, and interpret them. The study reached several key findings, including: the novelist's skill in selecting an appropriate

Keywords: narrative opening, "Sayyid Marra Min Huna," "Naranja," "Al-Shira' Al-Muqaddas," "Al-Mukhawziq."

Ali Ahmed Bakathir is considered one of the generation of pioneers who promoted Arab poetic theater and made it a distinctive literary form after Ahmed Shawqi laid the first brick in the edifice of Arab poetic theatre. In this research paper, the researcher seeks to provide a brief presentation of the sources from which the great creator Ali Ahmed Bakathir derived many of his poetic plays, especially since his poetic theater is considered an important stage of theatrical creativity that appeared in our Arab literature, we also seek to link these sources with the intentions that the creator conveyed in his poetic dramatic works. Through the research, the researcher identified five sources from which he took the material for his poetic theater: his personal experiences, contemporary events, history, biographies of Muslim figures, and Shakespeare’s theater.

Keywords: Poetic theatre, Ali Ahmed Bakathir, Shakespeare, history, interpretation

Abstract of the study in English:
The study aimed to define stylistic formation and discuss the levels of stylistic formation in the Quranic text, as well as to clarify its role in reviving the Arabic language. The study used the descriptive-analytical approach, as it is the appropriate method for such a study.
The study reached a number of results, the most important of which are: Stylistic formation is a complex process that involves the molding of language at its different levels. Stylistic formation means the variation in the ways the text is presented, and the stylistic formation in the Quranic text in Surat Al-Naba' was varied at the phonetic, syntactic, and semantic levels. The nominal structure dominated the verbal structure, which contributed to the stability of meaning. The structural, syntactic, and stylistic forms in the text structure were varied, and their connotations varied with them; this contributed to enriching the language of the text, and played a prominent role in enriching the language of the text, generating ideas and the means by which the meaning was conveyed, and added more life and richness to the Arabic language. The author of the text, the text itself, and the recipient are factors that play

Keywords: Keywords: Stylistic Formation - Quranic Text - Its Role - Reviving Language

Research Abstract
The Study of the Significance of Variation in the Structures of Verbally Similar Quranic Verses: "Manifestation in Place of Concealment"
This research addresses the issues of verbal similarity in the Quran where "manifestation" occurs in contexts where "concealment" might be expected. The study follows the methodology outlined below:
At the outset, the researcher delves into the linguistic concepts of "concealment" and "manifestation," their implications, and their types as understood by linguists. The study then explores how scholars of rhetoric have addressed this topic. Finally, it examines selected cases of verbal similarity in the Quran where manifestation has been used instead of concealment. The study concludes with a summary of findings and highlights the significance of variation in the structures of verbally similar verses through the lens of manifestation in the place of concealment.
Research Methodology:

The researcher adopts a descriptive-analytical approach. The study begins by surveying instances of verbally similar expressions in the Quran where manifestation occurs in contexts of concealment. Initially, the phenomenon is described based on linguistic perspectives. Subsequently, the researcher examines and analyzes the interpretations provided by scholars of verbal similarity and Quranic exegesis. The researcher then offers his own opinion, either in agreement, disagreement, or by presenting an alternative

Keywords: Meaning - Structure and structures - Context - Verbal similarity - Summary - Conclusion