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This research deals with an important aspect of the impact of the Arabic language on other languages, it examined the influence of Arabic literature generally and pre-Islamic poetry particularly on Alajam poets, whether it was in their Arabic or Persian poems. This impact was notable in their Arabic and Persian poetry. The manifestations of this influence were demonstrated in more than one direction, the current study pointed out the most prominent of them, respectively. The first aspect is evident when the Persian poets mentioned the names of the pre-Islamic poets in their poetry; also, they were proud of knowing them and memorizing their poetry, the second aspect appears in their imitation of the pre-Islamic poets in the poems introductions, and the third aspect is illustrated by the Persian poets ’imitation of the meanings of pre-Islamic poetry and their quotations of pre-Islamic poetry words and structures. In conclusion, these Persian poets believed in the magic and beauty of Pre-Islamic Poetry.

Keywords: Arabic literature, Alajam poets, pre-Islamic poetry.

This paper touches on "the grammatical extension in the Qur''''anic readings", aims at exploring the aspects of the extension and defends them from grammatical mistakes and solecism.

Therefore, the importance of the Qur''''anic readings comes from the fact that they are significant auditory sources for the linguists. This paper has considered the analytical description in order to achieve its goal. After defining the Qur''''anic readings and the grammar extension and including the linguists'''' positions on the above-mentioned readings, the paper has presented the aspects of the grammar extension with regards to the Qur''''anic readings; and concluded that the aforementioned readings have effects on the grammatical extension rules. Accordingly, what comes contrary to the rules will be considered as allowed linguistic extension in Arabic language and no one should dare to consider it as a grammatical mistake or ascribe it to the solecism

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This study aims to investigate morphological judgments for refined verbs and their derivatives; and knowing the linguistic semantics that were mentioned in it through their inclusion in the Holy Quran it depends on the descriptive, analytical and inductive approach. The verbs addressed by the study: Hashsah, Dumdum, Zubzubah, Zulzalah, Sursurah, Asasah, Kubkubah, Wususah.
The study reached many findings, its summary: one of these verbs is just coming on verbal form, other came on verbal form and what is derived from it, and some mentioned in the form of derivatives only, the most correct in the root of these verbs is that they are from the dual, then repeat the root, also repetition was originally built on repetition in its linguistic semantics

Keywords: the repeated verb, morphological construction, linguistic semantics, Holly Quran

This study is concerned with the regional theory in Chronicling Arabic Literature. The purpose of this study is to overcome the issues of associating the history of Arabic literature to political history, and the issues of neglecting the geographical dimension of the Arab regions on the other hand, as it was linked in the recipient’s mind the division of Arabic literature into political epochs related to the ruling families in terms of progress and collapse until this kind of periodization became prevalent in most literature history books. Furthermore, linking the literary epochs with the political epochs resulted in clear neglect of the geographical dimension which is reflected when focusing on the center (Egypt, the Levant, and Iraq) and ignoring the parties (Maghreb, the Arab Gulf). However, Chronicling Arabic Literature in accordance with the regional theory is one of the approaches worthy of research and study despite the lack of attention to it. Thus, this study aims to address the philosophical principles and the theoretical foundations on which the regional theory is based. Moreover, the study tries to investigate the presence of the regional theory as well as the mechanisms of its application in what historians of Arab literature have composed. Finally, the issues that appeared in the Attempts to apply this theory in our Arabic literature are presented

Keywords: Chronicling Literature, Regional Theory, Regional Periodization

This study aims to shed light on the stylistic synergy as one of the possible angles of view in literary studies. The synergy is based on a significant structural principle which is that the major structure in any creative text is the total characteristics of the minor structures in that text. Moreover, the combined text gains its meaning from the connotations of these compound structures.
In order to examine this theoretical statement, the article analyzed the sight of “AlGorob” (Sunset) By Maruf AlRusafi. The sunset, in AlRusafi’s text, is a sign of stylistic transformation and absence between some specific structures that can shape the poetic features of the text. The analysis has shown that the most stylistic accumulations (Riffaterre, 1983) in “AlGorob” are related through an element of meaning that links different series of minor structures together to create the main structure. As a result of this, the importance of stylistic accumulations in this text does more than creating the roles between different structures, as it plays some main stylistic part in guiding the reader to reach the implicate meanings of the text.
The structure of transformation and absence engenders the whole of the considered text, for the fact it was a vital key in creating its stylistic features, and then processing its different poetic features. Furthermore, synergy is a special element of structures in “AlGorob” that indicate the creative sense of the writer, as well as the poetic value of this text

Keywords: Stylistic, Structuralism, stylistic accumulation, stylistic synergies, poetic, implication, Al-Rusafi

This research is concerned with Al-Bahlani style to reveal the secrets of some words and their meanings; there are linguistic phenomena that characterized Al-Bahlani's poetry, grammatical and morphological phenomena in which the grammarians agreed with the standards, and other phenomena in which the majority of grammarians disagreed, or in which they tended to imitate a weak use.
In all cases, these phenomena were of semantic and rhythmic dimensions in his poetry. And if he brings some of these phenomena for free and devoid of significance, and compels some of them to submit to the necessities of weight and rhyme

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The research presents the books that have come to us (the meanings of the Qur’an), which are ten between an investigator and a collection, and a statement of the authors'' ability to stir their linguistic knowledge through the verses they found in the light of the linguistic achievement that they mastered its foundations, and what branched out from it.
The research was based on two topics:
The first: the books of the meanings of the Qur’an that have reached us.
The second: a statement of the features of these books, and the views they contain that advance the linguistic lesson; because it stems from the text. And what it has to do, if there are violations that do not befit the Holy Qur’an in its methods, from saying the addition of letters, alternating them, and other issues that are included in unnecessary additions.

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